- PINNACLE STUDIO 18 ULTIMATE TRIAL HOW TO
- PINNACLE STUDIO 18 ULTIMATE TRIAL MOVIE
- PINNACLE STUDIO 18 ULTIMATE TRIAL PROFESSIONAL
Studio 16 had trouble figuring out how to deal with Facebook’s Login Approval security feature, so I had to authorize the application via a Web browser.īut Studio 16 Ultimate is first out of the gate with a couple of new features. All of these consumer-focused applications seem to add the same new features, eventually–direct-to-YouTube uploads, a while back, and then direct-to-Facebook uploads.
PINNACLE STUDIO 18 ULTIMATE TRIAL MOVIE
Studio 16 Ultimate competes with Premiere Elements, Sony Vegas Movie Studio HD, among many others, and Corel’s own VideoStudio Pro (which Corel acquired when it bought InterVideo in 2006 InterVideo had acquired it from Ulead Systems). True, mangled old video files are probably rare, and other than this incident, Studio performed adequately.
But refusing to import is a far better outcome that repeated crashing–would one of the novice users that Studio is aimed at know to move the file out of the watched folder, and to suspend asset scanning, as I did? Probably not. The file is apparently damaged, because it won’t play in QuickTime or any other application when I tried to import the file into Adobe Premiere Elements 10, that application refused to import the file, citing a missing codec. I figured out that the application was crashing every time it tried to scan an old. Unfortunately, soon after I installed Studio 16 Ultimate, it began crashing every time I started it up. It is set to scan commonly used folders such as My Videos by default. The application will scan “watched” folders for usable assets–video, audio, etc. Corel also claims that Studio 16 has “64-bit optimizations,” though the application remains a 32-bit one. Corel also claims that Studio 16 Ultimate has Intel Quick Sync Video optimization, a hardware-acceleration feature offered by some Sandy Bridge and Ivy Bridge CPUs I could not test that claim with my system, however.
From an examination of Windows’ Task Manager during the operation, my computer’s CPUs, rather than its graphics card, were working very hard on the job.
I then output the project to a few different file formats, with the application’s GPU acceleration feature turned on and then turned off, and in every case, the project required the same amount of time to complete. I assembled a Studio project using multiple high-definition video tracks, audio tracks, and only transitions and effects that Studio identified as being GPU-accelerated. In my tests, though, I did not see a performance improvement. The most interesting feature that caught my attention is GPU acceleration, which Adobe Systems has used to great effect in its far-more-expensive Premiere Pro CS6 video editor: With a supported graphics card, Premiere can cut rendering times substantially, so seeing the same sort of technology in Studio 16 is head-turning. That’s not to say that Studio 16 Ultimate doesn’t have some features worth considering.
PINNACLE STUDIO 18 ULTIMATE TRIAL PROFESSIONAL
That you can add as many tracks as you like and use keyframing, which is awkward at best in Studio 16 Ultimate, doesn’t make even that version suitable for professional video editing rather, they merely make it obvious that the least-expensive version is artificially hobbled. The least-expensive version lacks support for Blu-ray disc authoring, 3D file importing, Dolby 5.1-channel audio, and keyframing the middle version omits the Red Giant Filmmaker’s Toolkit and Motion Graphics toolkit and the green-screen background sheet (to aid in “keying,” or knocking out the background in a composition). The application comes in three different versions: Studio 16, which costs $60 and allows you to add up to three video and three audio tracks Studio 16 Plus, which costs $100 and allows up to 12 video and 12 audio tracks and Studio 16 Ultimate, which allows you to add an unlimited number of tracks. It looks significantly different from last year’s Pinnacle Studio 15, though it still has lots of help tools and tooltips, and Corel includes 2 hours of video instruction on the DVD it comes on. I even found “Avid” references in several places throughout the application. This novice-focused application continues Pinnacle’s (and its few remaining competitors’) approach of packing in as many new features as possible, but it still won’t satisfy everyone’s needs.īut is this actually Studio 16? Not exactly it’s really version 2 of Avid Studio, a slightly higher-end application that Avid introduced last year. Just two months after Corel’s acquisition of Pinnacle Systems from Avid Technology comes the release of the latest version of Pinnacle’s video-editing software, Studio 16 Ultimate ($130 as of September 4, 2012).